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The advantage of open scoring was that the organist/student could clearly see the individual voices. However, although open scoring was already on its way out in Bach’s day, he did use it in other keyboard compositions. This “open scoring” notation, whereby each voice is written on a separate staff, seemed to imply an abstract work, as did the fact that Bach left no indication about instrumentation. The notation system Bach used in composing Art of Fugue led many to believe that the work was merely theoretical. Art of Fugue, however, was still regarded as too abstruse. It was only in the mid-19th century - thanks to a revival begun by Felix Mendelssohn and Robert Schumann - that Bach’s keyboard works, cantatas, and instrumental music made their way back into concert programs. Even Mozart and Beethoven had to be introduced to the beauties of Bach’s fugues by an aficionado, Baron von Swieten, who played Bach’s fugues at his Sunday salons in Vienna and both composers began to incorporate fugal elements into their compositions. Art of Fugue met with so little response that the copper engraving plates were sold as scrap.īach’s music - and with it the fugue - languished in obscurity for nearly a century. Bach was really the last exponent of the fugue and, after his death, the form virtually died with him. One of Bach’s critics wrote in 1737 that Bach’s compositions would be admired more widely if Bach did not “darken their beauty by an excess of art,” a reference to supposedly over-labored and over-ornamented fugal techniques.
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Part of the reason is that the fugue fell out of favor, beginning even in Bach’s own lifetime. Bach’s advertisement announcing the first edition in 1751 mentions that Art of Fugue had been “arranged for use at the harpsichord or organ.” Yet until recent decades it has been assumed that Bach intended Art of Fugue as a theoretical work only. Introduction | | | | | Resources | Types of Fuguesīach’s contemporaries regarded Art of Fugue to be a practical work - one that would be both studied and played. The Art of Fugue Did Bach intend Art of Fugue to be performed?